摘   要

《红楼梦》中的袭人形象，在历代红学研究中是极具争议的。两个世纪来，程本风行天下，脂本绝迹，读者心目中的花袭人，都是程本中的花袭人。所以要实事求是评袭人，首先须分清：两种不同的版本有两个不同的花袭人，就脂论脂，就程论程，不可混淆，不可取代。其次，须从袭人所处的时代背景，所处的社会地位，以及袭人的性格特点三方面来客观、全面的评价袭人。袭人形象的展现，在《红楼梦》全书中是通过人物关系网来实现的，其中宝玉、晴雯、宝钗是与其关系较为密切的，本文将从袭人与这三者的关系，具体的、全面的来分析袭人这一人物形象。
关键词：红楼梦；袭人形象
 

ABSTRACT

The image of Xiren in HongLouMeng has always being disputed in previous dynasties’ studies of Red. In recent two centuries, edition Cheng is in popular all over the world while edition Zhi has been out of print, and the character Hua xiren in all readers’ mind is from Cheng benzhong’s edition. Therefore, in order to comment a person in fair and realistic, it should be distinguished clearly at first: since two kinds of different editions would creat two images of Xiren in difference, we should comment separately from Cheng and Zhi without confusion nor substitute. Secondly, Xiren should be commented impersonally and comprehensively from social background, the social status of Xiren and characteristics of Xiren herself. The realization of image Xiren’s embodiment in HongLouMeng through the net work of characters’ relationship, in which Baoyu, Qingwen, and Baochai are the three on much intimate  terms with Xiren. This paper would like to make a concrete and comprehensive analysis on the image of Xiren from the relationship between Xiren and the three.
Key words: HongLouMeng; image of Xiren